The prints collector 

Editor: We're looking at "The Prints Collector," painted in oil by Mariano Fortuny Marsal. It has such a fascinating, cluttered feel – like walking into a curiosity shop! What strikes you most about this work? Curator: That's a wonderful initial impression! I see a peek into the artist’s own world. Look how Fortuny isn't just painting a collector, but building a theatrical space. The rich colors, the textures popping with impasto… it almost feels like the prints themselves are alive, don't you think? It invites us to consider our own relationship with art and collecting. Editor: That theatricality makes sense. The statue in the background almost feels like an audience member. Was Fortuny making a statement about the role of art in society? Curator: Perhaps. Or perhaps, playfully collapsing the boundary between life and art, inviting us to step inside that liminal space, a realm of dreams. It’s so much about atmosphere and mood. And I wonder about that figure partially hidden on the right, almost slipping away into the tapestry. A bit mischievous, perhaps? Editor: Yes, mysterious! The composition really makes me wonder about their story. Thank you! Curator: My pleasure! For me, it’s a reminder that paintings aren't just objects; they’re portals. Let's step through, shall we?