Stopper or Spoon with Figure of Monkey [Broken at Bottom] by Inca

Stopper or Spoon with Figure of Monkey [Broken at Bottom] Possibly 1450 - 1532

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metal, bronze, sculpture

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metal

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sculpture

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bronze

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figuration

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sculpture

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indigenous-americas

Dimensions H. 6 cm (2 3/8 in.)

Editor: Here we have an Incan object, “Stopper or Spoon with Figure of Monkey [Broken at Bottom]” likely crafted between 1450 and 1532 from silver and perhaps bronze. It's this delicate, contemplative little figure perched atop what looks like a spoon or stopper. It has an interesting texture. What strikes me is how it’s presented: like an object of contemplation and everyday function all in one. What do you make of it? Curator: What intrigues me is situating this object within the larger context of the Inca empire and its encounters with the West. The monkey itself is fascinating – monkeys were powerful symbols within indigenous cosmologies, often linked to trickster figures and transitions. Consider how this figure was initially used and perceived. Editor: You mean like, how might the Incas themselves have understood its significance? Curator: Exactly. We also need to consider the colonial gaze that eventually recontextualized these objects as curiosities or resources, stripping them of their original cultural weight. What was once an item imbued with significance becomes a spoil of conquest. Is the use of bronze significant? Could the use of valuable metals relate to a power structure, like elites owning valuable objects of status? Editor: So the sculpture itself is only part of the story; we also need to think about who used it, what it meant to them, and how its meaning changed through colonial encounters. Curator: Precisely. And by considering these layers, we can start to unpack the complex dynamics of power, representation, and cultural exchange that shaped the art and history of the Americas. Editor: I didn't expect to be considering colonialism's impact when I first saw this sculpture, but it adds another rich dimension to its interpretation! Curator: It is important to remember that these objects carry within them the weight of history, struggle, and cultural resilience. By engaging with them critically, we gain a deeper understanding of ourselves and the world we inhabit.

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