Untitled (Ganesha and Parvati) 2001

M.F. Husain made this 'Untitled (Ganesha and Parvati)' with, what looks like, quick strokes of oil on canvas. See how the flat planes of color create form and depth without blending or shading? It’s a fast, intuitive approach. The painting is almost a sketch, yet it’s so full of character. The juxtaposition of rich colors—the yellow against the maroons and blues—gives a real vibrancy, doesn't it? Notice the surface, it feels soft and chalky, not too shiny or overworked. Look at Parvati's hand in particular, how it holds that mudra. It's just a few strokes, but so expressive. Husain’s work reminds me a little of Matisse in its simplicity and boldness. Both artists have such a knack for capturing a feeling with very few lines. Art is like a conversation; one artist picks up where another leaves off. It’s not about fixed meanings but about keeping the dialogue alive.