Flintlock Gun of Louis XIII (1601–1643), King of France by Pierre Le Bourgeois

Flintlock Gun of Louis XIII (1601–1643), King of France 1595 - 1645

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carving, metal, gold, wood

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carving

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baroque

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metal

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gold

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france

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wood

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history-painting

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armor

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decorative-art

Dimensions L. 55 5/16 in. (140.5 cm); Cal. .59 in. (55 mm); L. of barrel 41 in. (104.1 cm); L. of lockplate 6 9/16 in. (16.7 cm); Wt. 5 lb. 11 oz. (2580 g)

Editor: Here we have the Flintlock Gun of Louis XIII, King of France, crafted between 1595 and 1645 by Pierre Le Bourgeois. It's a stunning object, blending metal, gold, wood, and detailed carvings. The embellishments really catch the eye, don't they? What are your thoughts on the interplay of form and decoration in this piece? Curator: The most salient aspect is the baroque exuberance rendered visible in the spiraling butt and the elaborate inlays. One observes a dynamic tension between the weapon's functionality and its status as a decorative object. How does the application of precious materials alter your perception of its function? Editor: It’s almost hard to imagine it being used as a weapon, given how much it resembles a piece of jewelry. The gold inlay certainly elevates it beyond a mere tool. Curator: Precisely. Focus on the gun's linear qualities. Note the stark contrast between the smooth barrel and the ornamented stock. This creates a visual hierarchy, doesn’t it? Do you find it disrupts the overall composition, or enhances it? Editor: It's certainly striking! I hadn't considered how the materials create that tension in the design. Perhaps the intent was not to perfectly harmonise but rather display wealth and power? Curator: Exactly. This interplay highlights a complex negotiation between function, status, and artistry. Considering these formal qualities together allows one to appreciate how the piece communicates both literally and figuratively. Editor: I see that now. Focusing on the materials and design choices really reframed my understanding of it. Thank you for that. Curator: A keen eye is always rewarded when observing the aesthetic language of art.

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