Applique Quilt by Suzanne Roy

Applique Quilt c. 1936

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textile

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natural stone pattern

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pastel soft colours

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textile

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pattern background

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ethnic pattern

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folk-art

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repetition of pattern

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vertical pattern

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pattern repetition

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textile design

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decorative-art

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imprinted textile

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layered pattern

Dimensions: overall: 41.1 x 34.5 cm (16 3/16 x 13 9/16 in.) Original IAD Object: 7'10" x 8'4"

Copyright: National Gallery of Art: CC0 1.0

Curator: We're looking at an "Applique Quilt" by Suzanne Roy, created around 1936. It’s a remarkable example of textile art, showcasing meticulous detail and design. Editor: My first impression is pure, unadulterated comfort. It looks like something my grandma would've lovingly stitched, imbued with that handmade, folksy charm. There's a softness to the pastel colors and the floral designs—inviting, rather than imposing. Curator: Precisely. The repetition of patterns – floral arrangements interspersed with geometric shapes, specifically those heart-like figures – creates a balanced and visually engaging composition. The bordering vine pattern also adds a layer of complexity to the work. The overall structure reinforces the flatness of the textile, embracing the two-dimensional surface. Editor: You know, when I look at the shapes closely, I feel like I’m decoding a secret message. It's the language of quilting, maybe a hidden symbolism in the stitching that transcends the visual delight. Perhaps those heart-shapes represent more than just affection – maybe the hardships or hopes of everyday life? Curator: An interesting conjecture. Considering the historical context, specifically the prevalence of the Pattern and Decoration movement, it might be that Roy sought to elevate the status of functional objects to fine art through a sophisticated interplay of color and form. The quilt becomes not just a utilitarian object, but a study of visual organization. Editor: Well, it makes me wonder about Suzanne Roy herself. What was she thinking? Was she humming while sewing this quilt, dreaming of spring blooms, or lost in contemplation while she worked each piece of fabric? There’s an undeniably tender intention woven into every stitch, every meticulously placed petal. I picture evenings filled with storytelling while her nimble hands translated thoughts and feeling into textiles. It would make a comforting heirloom to pass down, wouldn't it? Curator: Indeed. And I appreciate your sensitivity to it. By examining its structure, patterns, and design choices we see this quilt functions on multiple layers. It presents both aesthetic and intellectual complexities beyond mere sentiment. Editor: Agreed. In the end, this work bridges two worlds: function and artistry. I came in thinking about cozy afternoons and have wandered somewhere deeper and more intricate, to this testament of creative vision and human touch.

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