Pressefrihed by Anonymous

Pressefrihed 1800

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print, etching

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allegory

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print

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etching

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caricature

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romanticism

Dimensions: 240 mm (height) x 180 mm (width) (plademaal)

Curator: What a bizarre yet compelling scene. This etching is entitled "Pressefrihed," which translates to "Freedom of the Press." It was created around 1800. The artist, like the image itself, is shrouded in anonymity. I see so much encoded information here, let’s try and break it down. Editor: It looks like an alchemical kitchen gone terribly wrong! The winged figure – is that supposed to be an angel? – seems weary, almost defeated, not at all triumphant. It's like freedom's being forced to bake a very sad cake. Curator: Precisely! The artist cleverly uses symbolism and caricature to make a sharp political commentary. The figure, burdened with bound wrists, represents the press. Those heavy wings, typically symbols of liberty, are tied up as well, suggesting its constraints. Even her act of mashing implies the act of forcefully processing information or opinions. Editor: The little details are wonderfully grim! "G. Roes" and "Arrach," probably alluding to types of alcohol, are near a basket overflowing with what appear to be bland cookies… or are they supposed to be pills? And, is that a hat with a big “F” on it, lying forlornly on the ground? Is “Frederik” brewing in a cauldron? Curator: Indeed! That’s Frederik VI in the pot. The "F" hat and "Frederik" being cooked alive implies criticism aimed squarely at the Danish monarchy and the stifling of free expression. Those could be meant as "press cakes." This piece speaks volumes about the suppression of dissenting voices during that era. It's not just about reporting facts; it's about the brewing and baking of opinions and ideas. Editor: The composition really underscores that stifled feeling. It’s crowded, chaotic – there's a sense of everything overflowing and constricting. So, “Freedom of the Press,” it's really a potent, poignant critique in disguise, even with those dark and odd details. Curator: Exactly! I found that the anonymous artist truly encapsulates a sentiment that’s deeply rooted in societal control and longing for transparency, and shows its reverberations for future generations. The past echoing into today. It is so important for us to continue searching the echoes of freedom of expression today, because you never know when one is having one’s voice taken away.

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