print, engraving
narrative-art
baroque
old engraving style
figuration
geometric
line
cityscape
history-painting
engraving
realism
Dimensions height 124 mm, width 173 mm
This print, Februari: stadsgezicht met serenade, was made by Antonio Tempesta sometime between 1570 and 1630 using an engraving technique. The artist would have used a tool called a burin to manually carve lines directly into a metal plate, which was then inked and printed. Look closely, and you'll see how the crisp, precise lines create a detailed cityscape with figures in period costume. Tempesta's skill in rendering depth and texture relies entirely on this labor-intensive method. The printmaking process allowed for the reproduction and distribution of images on paper, making art more accessible to a wider audience. This reproductive technology transformed artistic production, shifting the perception of art as a unique and precious artifact, into a commodity. The work involved in creating this print would have been a collaboration between artist, engraver, and printer, each playing a crucial role in the final product. This challenges traditional notions of artistic authorship and creativity.
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