Incamminati 2003

Nelson Shanks painted "Incamminati" using traditional methods and materials that connect us to art history. Look closely, and you'll see how he builds up the image, layer by layer, with careful observation and intentional choices. The texture of the paint is really interesting here, especially in the way he depicts the skin. It's neither too smooth nor overly textured, but just right to convey a sense of presence. Notice the brushstrokes around the figure's face and hair – there's a softness there, a tenderness, that speaks to a deep understanding of the subject. There's a playful dialogue with art history present, too. The pose evokes classical nudes, but with a contemporary twist. It's like Shanks is saying, "I see the past, but I'm also here, now, making something new." This reminds me of Manet, who also took inspiration from old masters but wasn't afraid to break the rules. Ultimately, this painting is about seeing, feeling, and engaging with the world around us.