carving, painting, wood
carving
painting
figuration
folk-art
wood
Dimensions: overall: 36.6 x 28.8 cm (14 7/16 x 11 5/16 in.) Original IAD Object: c. 25"
Copyright: National Gallery of Art: CC0 1.0
Curator: Looking at this painted carving from around 1937, titled “Carved and Painted Santo-San Jose” by Majel G. Claflin, I immediately notice how the artist captures a really beautiful example of a vernacular carving tradition, what do you see? Editor: It strikes me as carrying a certain quiet dignity. The faces, though stylized, express a tenderness and solemnity I find rather moving. Those small crowns especially, speak of a spiritual royalty beyond earthly power. Curator: The scale is interesting, isn’t it? Claflin shows us the figures perched on what seems like a rudimentary plinth or platform, highlighting the place these artworks hold in the lives of the folk who use these images to worship. What feelings or meanings does it conjure for you? Editor: Well, beyond the obvious religious interpretation of father and child, savior and protector, the father figure has ancient roots. Think of images of kingship that project strength and righteousness, like those we see in Ancient Near Eastern art. Here it is a gentler king, certainly, but the symbolism is undeniably there, especially in the crown and rigid posture. Curator: Yes! We can analyze the imagery as a kind of folk or even naive artwork that still invokes deep socio-cultural meaning. You're right about its gentler interpretation, maybe we're seeing how patriarchal structures get reshaped in unexpected places like New Mexican religious expression of the 1930s. Editor: Indeed, the survival and adaptation of these symbols—the crown, the paternal embrace—tell a fascinating story about cultural memory and resilience, not just in the immediate time period, but reaching back centuries. I keep thinking about the ritual importance these objects would have held, passed down through generations. Curator: These Santos remind us that art exists far beyond gallery walls. They carry traditions, family, and the hopes of a community. Editor: It’s a humbling thing to witness, the emotional weight we invest in these simple, human-made objects.
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