Portret van Pierre de Foix by Bernard Picart

Portret van Pierre de Foix 1713

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print, intaglio, engraving

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portrait

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baroque

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print

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intaglio

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old engraving style

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caricature

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figuration

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form

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line

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history-painting

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academic-art

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engraving

Dimensions height 205 mm, width 145 mm

Curator: This engraving, created by Bernard Picart in 1713, is a portrait of Pierre de Foix. It’s currently held in the Rijksmuseum. The baroque style, the detail in the line work... it all really sings. Editor: It's arresting, isn't it? Almost severe. That intense gaze feels very confrontational for a religious figure. And what's with that chubby cherub? He looks less angelic and more like he’s about to swipe my wallet. Curator: That contrast, I think, is key to understanding its function. As a print, this image would have been widely distributed. While honoring Pierre de Foix, the portrayal reinforces the power and authority of the Church. The baroque exuberance clashes intriguingly with what you see as the subject's severity, highlighting this tension. Editor: The theatrical elements amplify the intended drama then? That’s interesting. You have this almost comical cherub propping himself up a column and these other mythical creatures almost erupting into frame…it does command attention, regardless of your personal affinity for the Cardinal. I'm particularly struck by those dragon-esque monsters writhing near the base. Are they meant to symbolize heresy vanquished? Curator: Precisely. That’s very probable. See how they’re positioned, subdued beneath the pillar and the cherub… the print certainly projects an air of triumph, emphasizing Pierre de Foix’s role in resolving the Great Schism, which the inscription along the bottom alludes to. The whole composition is meticulously crafted to deliver that message. Editor: Looking at it in that light, the rigidity makes more sense. This isn't just a likeness; it’s a carefully constructed argument meant to project unwavering power. Knowing the historical context changes everything, doesn’t it? I initially saw just an odd portrait, now it reads as a statement about institutional dominance. Curator: Exactly. It’s that layering of history and artistry that makes pieces like this so fascinating. There's always so much more going on beneath the surface. Editor: A reminder that even the seemingly straightforward image can be a loaded weapon of ideas. Fascinating.

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