Ex libris van Ludovico de Gobbis by Alberto Zanverdiani

Ex libris van Ludovico de Gobbis 1904 - 1977

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drawing, graphic-art, print, paper, ink

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drawing

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graphic-art

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print

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sketch book

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hand drawn type

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hand lettering

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paper

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11_renaissance

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personal sketchbook

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ink

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hand-drawn typeface

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pen-ink sketch

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ink colored

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pen work

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sketchbook drawing

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sketchbook art

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calligraphy

Dimensions: height 91 mm, width 80 mm, height 140 mm, width 97 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Ex libris van Ludovico de Gobbis," an ink drawing and graphic art print created between 1904 and 1977 by Alberto Zanverdiani. It looks like it's from a personal sketchbook, with the main drawing surrounded by lots of handwritten notes. I’m struck by the contrast between the detailed drawing in the bottom left and the rest of the sketchbook's layout. What do you see in this piece? Curator: The work presents an interesting interplay of form and function within its visual structure. The central image, meticulously rendered in ink, immediately draws the eye. How does the density of linework contribute to your interpretation? Editor: It creates a real sense of depth in such a small area; the detailing contrasts so dramatically with the blank and handwritten spaces. How do you think the placement of the image, off-center on the page, affects how we read the overall composition? Curator: Indeed, that contrast creates a visual hierarchy. Note how the text surrounding it acts as a frame, both literally and figuratively. Are the formal qualities—line, shape, texture—telling a different story? Editor: I hadn’t thought of the text as framing, but now I see it. It's interesting how the delicate line work of the drawing, almost calligraphic in its intricacy, also connects it to the handwriting. Thanks! I've really appreciated learning how focusing on these elements changes the piece so much! Curator: The structure offers a lens through which we can understand this sketchbook as a composition. The deliberate juxtaposition invites us to decode the intrinsic qualities of this work and to appreciate its semiotic interplay.

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