Hoekornament met Hercules in een boot by Anonymous

Hoekornament met Hercules in een boot 1584

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print, engraving

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print

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old engraving style

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figuration

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11_renaissance

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mythology

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line

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history-painting

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academic-art

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engraving

Dimensions: height 223 mm, width 127 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have an engraving from 1584 called "Hoekornament met Hercules in een boot," or "Corner Ornament with Hercules in a Boat." It’s an anonymous work, and a quite peculiar thing to behold, really. Editor: It’s like a tiny, meticulous world contained within a fragment! All those precise lines make me think of both a navigational tool and an otherworldly vision. Does anyone actually *know* what this thing was even *for*? Curator: It appears to be precisely what the title says: a design for a corner ornament, possibly for a map or some kind of decorative architectural element. The details are astounding when you consider it's just lines etched onto a plate and printed. Editor: It screams labor. You can practically feel the artisan hunched over, pushing that burin through the copper. What kind of printing press was being used then? Was it a solo act or a workshop? Who bought these things, and what value did they have for the owner? Curator: I can only imagine! Looking closer, Hercules is clearly a strong focal point, the little boat tossed about, suggesting the trials and tribulations of a hero’s journey, yet nestled within these very ordered, controlled borders, almost like an emotional cartography... Do you think it speaks to that early-modern desire to bring order to the chaos of the world? Editor: Absolutely. Myth literally framed by the burgeoning science of mapping. Consider the materials themselves: metal, ink, paper - commodities shaped by human ingenuity. Then reproduced for widespread distribution; knowledge spreading as fast as merchant trade-winds blowing and sails billowing… it is quite beautiful really! Curator: Beautifully put. For me, it is fascinating to see Hercules, of all characters, miniaturized this way; almost as if he himself has been rendered another 'commodity', neatly packaged and disseminated. I suppose we still do that today! Editor: It definitely brings into question what the work truly is for, which would be intriguing to figure out if we had time!

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