Vlucht naar Egypte 1743 - 1760

This is James Johnson’s engraving of “The Flight into Egypt," made in the early 19th century. The image strikes a balance between detailed realism and ethereal quality, mainly through its tonal gradations. Consider the composition: The figures of Mary, Joseph, and the infant Jesus are centrally placed, creating a focal point that draws the eye. The use of light and shadow defines the folds of their garments, adding depth and volume. Johnson’s use of hatching and cross-hatching is not merely descriptive; it constructs the emotional tenor of the scene. The lines vary in density to model forms and suggest the texture of stone and fabric. The figures’ arrangement suggests a narrative about movement and protection. Their placement is not static, but active, implying the danger that propels them forward. The background, though less defined, complements the central theme by setting an atmosphere of wilderness. The landscape is not just a backdrop but an active participant in conveying the sense of their journey. The work’s formal elements intertwine to produce an emotionally and conceptually rich portrayal of the Biblical narrative.