Yard Lantern by Dorothea A. Farrington

Yard Lantern 1937

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drawing, watercolor

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drawing

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watercolor

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coloured pencil

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watercolor

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realism

Dimensions: overall: 29.4 x 21.2 cm (11 9/16 x 8 3/8 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: This unassuming watercolor drawing, titled "Yard Lantern," was created by Dorothea Farrington in 1937. It presents a very direct rendering, don't you think? Editor: It’s wonderfully evocative! I’m immediately struck by the stillness, almost as if time itself is pausing within the gentle light emanating from that lone candle. Curator: The artist really commits to realism here; one can observe that each individual perforation on the lantern housing is rendered with exactitude. And the way Farrington treats the object's texture using watercolor washes creates an interesting tonal arrangement in a restricted color palette. Editor: Absolutely. These perforations strike me as more than mere decoration; each opening serves as a tiny window, offering glimpses into different planes of understanding, I wonder, are the patterns significant—the eight-pointed stars, or floral shapes… It's a microcosm of symbols isn't it, the protective housing contrasting the flickering uncertainty within. Curator: Your point brings forth a deeper aspect in how this utilitarian object is more than just metal sheets artfully arranged. Note how she renders depth by altering the space between the individual dotted figures on each surface? This reinforces volume and materiality. Editor: And think about what the lantern represents, though. Before electricity, light meant safety, community… the warding off of unknown fears lurking in darkness. And I think that makes the muted palette all the more impactful. It lends it an aged timeless quality, linking this humble lantern to a vast lineage of symbolic light-bearers. Curator: In that context, the very conscious detail around how each little opening or perforation of light are rendered starts taking on a visual rhythm...a patterned syntax of light versus shadow! It's quite sophisticated when parsed for its compositional choices. Editor: Precisely! When viewing an image of an everyday object, we must question ourselves; what collective narratives of human resilience are we seeing flickering in Farrington's seemingly simple lantern? Curator: Very well, this fresh outlook prompts another analysis: observing her careful approach toward each visual component makes you really stop to think and perceive beyond surface-level appreciation. Editor: And to recognise those subtle reminders in familiar objects: shared hopes persisting amidst shadows.

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