Matthias, Emperor of the Holy Roman Empire (1557-1619) 1600 - 1625

Editor: Here we have Hans von Aachen's portrait of Matthias, Holy Roman Emperor, likely painted between 1600 and 1625. It strikes me how opulent everything is—the crown, the scepter, even the embroidery on his robe. What stands out to you when you look at this piece? Curator: For me, it's all about the labor and the materials involved. Think about the layers upon layers of fabric, each thread meticulously placed, the mining and crafting of the gold for his crown and scepter. These things speak volumes about the power structures of the time. Editor: So, you're saying the sheer material wealth on display reinforces the Emperor's authority? Curator: Precisely. The portrait isn't just a representation of Matthias; it's a monument to the economic engine that supports his reign. Where do you think all these luxurious materials came from? Consider also the craftspeople involved in each stage, and where their power lies in the equation. Editor: It's easy to overlook that aspect. I hadn't really thought about the actual making of those things. Curator: Exactly! And consider who *didn't* benefit. Think of those who likely didn't even have access to basic fabrics, yet were taxed and potentially exploited to support his material display. Editor: It does make me consider the social cost behind all that finery. It's more than just a pretty picture. Curator: It certainly is! It is all about challenging traditional boundaries by emphasizing production and means, labor and consumption, ultimately making a statement of power and its display. Editor: I see the piece differently now. Thank you.