Dimensions: object: 254 x 698 x 101 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Eric Gill’s "The North Wind" sculpture. The figure is really tactile, and I’m curious about its message. What do you see in this piece? Curator: Gill's work is complicated. While celebrated for his artistry, we must also acknowledge the problematic aspects of his personal life and how they might intersect with his artistic representations of the human form. Editor: How so? Curator: Consider how power dynamics, gender, and sexuality are subtly encoded within this depiction of the 'North Wind.’ Does the figure evoke a sense of vulnerability, dominance, or perhaps something in between? Editor: That's a perspective I hadn't considered. It definitely encourages a more critical understanding. Curator: Exactly. By questioning the artwork, we can open a dialogue about ethics, representation, and the responsibility of engaging with art from complex figures.
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http://www.tate.org.uk/art/artworks/gill-the-north-wind-t03737
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Gill pioneered a return to traditional craft skills, in particular stone carving. In 1928 he led a team of sculptors commissioned to carve reliefs symbolising the four winds for the exterior of the new London Underground headquarters at St James’s Park station. These are copies he made later. The style of the reliefs demonstrates Gill’s admiration for English and French medieval sculpture. Gallery label, September 2016