Ontwerpen voor een wapen en een wandbetimmering by Carel Adolph Lion Cachet

Ontwerpen voor een wapen en een wandbetimmering c. 1903 - 1904

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drawing, paper, pencil

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drawing

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quirky sketch

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arts-&-crafts-movement

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sketch book

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paper

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form

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personal sketchbook

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idea generation sketch

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sketchwork

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ink drawing experimentation

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geometric

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pen-ink sketch

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pencil

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line

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sketchbook drawing

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storyboard and sketchbook work

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sketchbook art

Copyright: Rijks Museum: Open Domain

Editor: This is "Ontwerpen voor een wapen en een wandbetimmering," a design for a crest and wall paneling by Carel Adolph Lion Cachet, dating from around 1903 or 1904. It’s a drawing on paper using pencil and ink, and it reminds me of architectural studies. What's your perspective on this sketch? Curator: The prevalence of heraldry signals a connection to tradition and lineage, doesn't it? Consider how symbols in crests often represent virtues, historical events, or ancestral achievements. Even the choice of flora or fauna can indicate regional identity. What might Cachet be communicating about identity and legacy here? Editor: That's a fascinating point! I hadn’t considered the meaning embedded within the symbols themselves. I was mainly looking at the forms. It almost feels like the Arts and Crafts movement idealizes pre-industrial society. Would that tie into ideas of heritage and identity? Curator: Precisely. The Arts and Crafts movement, deeply rooted in a reaction against industrialization, often sought to revive traditional crafts and celebrate handmade artistry. How does this embrace of pre-industrial aesthetics relate to Cachet’s design, specifically in the context of a crest, which inherently symbolizes established social orders? Editor: So, it's like he is intentionally drawing on that nostalgia, consciously connecting with those traditions through the very act of sketching a crest? Curator: Yes, and perhaps offering a reinterpretation. Crests aren’t merely static representations of the past, but evolving emblems molded by contemporary values. Consider the stylized natural forms of the wall panelling as well. Are these organic, flowing forms in conversation with the more rigid heraldic shield above? Editor: It’s as though he is trying to reconcile these visual languages to create something entirely new. Thank you! I learned so much about symbols and the meaning imbued within! Curator: And I about seeing that process unfold in the sketchbook of a developing idea. A dialogue, truly!

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