Portret van Alexandre Martin de Gray 1805 - 1850

This is an engraving of Alexandre Martin de Gray, made in Paris at an unknown date by an anonymous printmaker. This image speaks to the visual culture surrounding the French Revolution and its aftermath. Consider the conventions of portraiture adopted here. Martin de Gray is titled ‘Baron’, and the billowing clouds behind him evoke a sense of nobility, but he is also ‘deputy of the Haute Saône’, indicating a role in the post-revolutionary government. Looking at the style of the sitter’s clothing, hairstyle, and the font used in the inscription, we can establish the print was likely made in the first decades of the 19th century. It's a period in which traditional aristocratic codes were being renegotiated in the wake of revolutionary upheaval. To understand the nuances of this image, we can consult archives of French printmaking, biographical dictionaries, and local histories of the Saône region. The meaning of an artwork is contingent on its historical and institutional context.