Dimensions: 25 1/4 × 15 1/2 × 3/4 in. (64.14 × 39.37 × 1.91 cm)
Copyright: Public Domain
This sliding door, part of a pair, was made by Shibata Zeshin, a 19th century Japanese artist, who worked with lacquer on wood. The choice of lacquer is really key here. It's not just about surface decoration, but about the whole philosophy of making. Lacquer is derived from tree sap, and its application is painstakingly slow, built up in many thin layers. The artist has masterfully blended the natural grain of the wood with painted imagery of ducks and reeds. Look at the rich texture, the almost three-dimensional quality. Zeshin was trained in both painting and lacquer techniques, and he was one of the first to treat lacquer as a medium for pictorial art, rather than just decoration. He blurred the boundaries between "high" art and craft. Consider the immense labor, the long hours of careful work embodied in this object. It's a reminder that art is not just about ideas, but about the intimate relationship between hand, material, and the passage of time.
Shibata Zeshin was one of the few artists widely recognized for his paintings on silk and paper and his innovative mastery of lacquering techniques and design. Early in his life Zeshin was apprenticed to the lacquer workshop of Koma Kansai II (1766–1835), who produced lacquerware for the ruling elite, as well as the wealthy merchant class. Yet Zeshin left at 16 to study painting. Zeshin’s mastery of both art forms is evident on this sliding door, with the lacquer skillfully fashioned to create a scene as evocative as an ink painting. The ducks are decorated in black and colored lacquers with gold and silver powders and shell inlays for the subtle iridescence of birds’ feathers. Using the technique of direct lacquering (kiji nuri), wherein the lacquer design is applied directly to the substrate, Zeshin deftly utilizes the grain of the wood to guide the verticality of the composition, and gently evoke the rippling of water.
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