Kabinet van mode en smaak 1791, pl. X by Anonymous

Kabinet van mode en smaak 1791, pl. X 1791

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drawing, coloured-pencil

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portrait

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drawing

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neoclacissism

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coloured-pencil

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coloured pencil

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watercolour illustration

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genre-painting

Copyright: Rijks Museum: Open Domain

Editor: So, this is plate X from the 'Kabinet van mode en smaak 1791'. It appears to be a coloured-pencil drawing depicting a woman. The texture looks very detailed, almost like fabric samples laid out flat. I am curious what your take is? What do you see in this piece beyond its function as a fashion plate? Curator: Note the composition: a central figure presented frontally, almost rigidly symmetrical, within a framed pictorial space. This echoes Neoclassical ideals, emphasizing order and clarity. How do the artist’s choices of line and color contribute to this effect? Editor: Well, the lines are quite precise, defining the shape of the dress and the figure clearly. The color palette is limited, but there's a contrast between the reddish-pink of the dress and the greyish-blue panels, which adds depth. Is the contrast crucial to how we perceive its structure? Curator: Precisely. Observe how the artist employs line to create texture and form. The skirt, for example, is rendered through vertical lines, implying volume and drape. Consider also how the artist uses color not realistically but to accentuate form and structure, and the planes within the dress's design. Editor: I see what you mean. It's less about depicting reality and more about analyzing and presenting the dress as an object. The shading creates this interesting geometric division. Are there any other specific details you consider essential to appreciating its design? Curator: Pay attention to the frame around the composition itself and how it dictates our perspective of what is "contained." This compositional choice emphasizes the self-contained nature of the artwork. It is designed for methodical observation and contemplation. What effect does this precise control of line and color achieve in its totality? Editor: It’s fascinating to consider it from that purely structural perspective, detaching it from its historical function as a fashion reference. Thanks. Curator: Indeed. Considering its formal elements allows a new appreciation. The piece is about far more than its mere representative utility.

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