Funeral of General Johan Baptiste von Taxis (from Jules Chifflet, "Les marques d'honneur de la Maison de Tassis," Antwerp, 1645) by Wenceslaus Hollar

Funeral of General Johan Baptiste von Taxis (from Jules Chifflet, "Les marques d'honneur de la Maison de Tassis," Antwerp, 1645) 1645

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drawing, print, engraving

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drawing

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narrative-art

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baroque

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print

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cityscape

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history-painting

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engraving

Dimensions Plate: 13 3/8 × 17 3/16 in. (34 × 43.7 cm)

Editor: Here we have Wenceslaus Hollar's "Funeral of General Johan Baptiste von Taxis," a 1645 engraving. The sheer number of figures is striking; it really gives you a sense of the scale of the procession. What catches your eye when you look at this piece? Curator: As a materialist, I'm immediately drawn to the engraving process itself. Think about the labor involved: the meticulous cutting into the metal plate, the inking, the printing. Each line signifies a decision, a precise act of crafting. It transforms an event into a reproducible commodity, extending the reach and impact of the Taxis family's power. How does this dissemination reflect the anxieties or assertions of the time? Editor: That’s interesting; I hadn’t considered it that way. It’s not just a record, it’s a carefully produced and distributed object. Were prints like this common for memorializing figures of authority? Curator: Exactly. And consider the social context. The Taxis family were essentially the postal service barons of Europe. This print isn’t just about mourning; it's about projecting an image of power, of control over communication itself. Notice the detail in the architecture – do you see any signifiers of authority embedded there? Editor: I see the building in the upper left has elaborate carvings. It does seem carefully composed, down to the patterns created by the procession itself. You've given me a lot to consider regarding the making and the marketing, essentially, of the image. Curator: And that’s crucial, isn't it? Examining the print through its materials and the social dynamics of its production gives us a richer understanding than simply viewing it as a historical illustration. Considering how value is ascribed to this image—both financially, and symbolically—shifts our perspective. Editor: I'm starting to appreciate the layered meaning within the print; it is more than the depiction of a funeral! Thanks so much.

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