Saint Francois de Sales, eveque de Geneve by Jean Morin

Saint Francois de Sales, eveque de Geneve 1605 - 1650

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drawing, print, engraving

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portrait

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drawing

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baroque

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print

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history-painting

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engraving

Dimensions: image: 12 3/16 x 8 1/4 in. (31 x 21 cm)

Copyright: Public Domain

Editor: This is "Saint Francois de Sales, eveque de Geneve," a print by Jean Morin, created sometime between 1605 and 1650. I’m struck by the detail achieved through engraving, particularly in the textures of his robes. How does this portrait engage with the political and social environment of its time? Curator: It's interesting you notice the detail; prints like this played a crucial role in image dissemination during the Baroque period. How do you think such a portrait, multiplied and circulated, might have functioned within the context of religious and political power? Editor: Perhaps to solidify Saint Francois' image and influence? Prints would be far more accessible than painted portraits. Curator: Precisely! Think about Geneva's religious landscape then. The Catholic Church was actively trying to regain influence lost to the Protestant Reformation. Images of revered figures like Saint Francois served as powerful visual propaganda. The strategic circulation of such portraits shaped public perception and strengthened the Church’s authority. What elements contribute to this sense of authority? Editor: Well, his clothing, definitely. It speaks to a very specific office, doesn’t it? And maybe the severe expression? It’s certainly not inviting. Curator: Indeed. Every element, from his vestments to the somber expression, was carefully constructed to convey authority and piety. This portrait wasn’t just about likeness; it was about crafting an image that reinforced the power of the Church. And who got to see those portraits also defined the boundaries of the Church power at that time. Editor: That’s a fascinating insight. I never considered how distribution played such a crucial role in reinforcing the impact of an artwork like this. Curator: Understanding art requires considering its distribution and reception. These portraits tell a story of not just an individual, but the cultural forces shaping his legacy. Editor: Thank you. I'll definitely view art with a wider scope.

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