Untitled (man, woman, and baby, sitting in armchair in front of fireplace) 1965

Curator: This intriguing photograph, currently titled "Untitled (man, woman, and baby, sitting in armchair in front of fireplace)" is by Jack Gould. Editor: It strikes me as a constructed image, like a stage set. The inverted tones make it feel otherworldly, detached from reality. Curator: Absolutely. Consider the context of portraiture and family in the mid-20th century. What narratives about family, gender roles, and race are being presented, or perhaps subverted, here? Editor: The fireplace, the lamp, even the picture on the mantle evoke a sense of domesticity. But the photographic negative creates a sense of unease. Is it a celebration of family or a critique of its idealized form? Curator: Perhaps both. The photograph holds those tensions. It reflects the complexities of representing identity and belonging within the rigid structures of its time. Editor: It's a powerful reminder of how much a simple image can conceal and reveal.