Seated woman c. 1630 - 1670

This drawing, "Seated Woman", was made in the 17th century by Govert Flinck using black and white chalk on blue paper. Here, the material is integral to the effect. The toned paper provides a middle ground, allowing Flinck to build up form through contrasting marks. Notice how the white chalk creates highlights on the woman's skin, suggesting volume and the fall of light. The black chalk, conversely, defines the shadows, adding depth and contour. The grain of the chalk lends the image a soft, almost hazy quality. In Flinck's time, drawing was not just about capturing likeness; it was a process of intellectual engagement and refinement. This study exemplifies the skilled traditions that artists like Flinck engaged with, reflecting a broader interest in human anatomy and classical ideals of beauty. The artist's labor is evident in every stroke, and speaks to a culture in which the handmade was central to creative practice. Recognizing these material and social dimensions allows us to appreciate this artwork beyond its representational content, and as a document of skillful making.