Nude study of Queen Bona for the painting ‘The Upbringing of Sigismund Augustus’ 1861

Józef Simmler created this nude study of Queen Bona, a preparatory sketch, with pencil on paper. Notice the sketch's emphasis on line and form; the contour of the Queen’s body and the chair is defined by delicate, almost tentative lines. The hatching technique employed to render shadows and volume gives the figure a three-dimensionality. Consider the historical context: Simmler, working in the 19th century, engages with academic traditions of figure drawing. This nude study exists as a formal exercise and also embodies the complexities of representing power and femininity. The act of sketching a nude, even as a study, challenges the conventional representation of historical figures. The linearity of the sketch is a key element. It's not merely descriptive; it's constructive, using line to explore the boundaries of representation and to question the relationship between form and meaning. This approach invites a continuous process of interpretation, reflecting the evolving discourse around art and representation.