Women and children near a cross by Francisco de Goya

Women and children near a cross c. 1812 - 1820

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drawing, ink

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drawing

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ink drawing

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landscape

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figuration

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ink

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group-portraits

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romanticism

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history-painting

Editor: So here we have Goya's "Women and Children near a Cross", created somewhere between 1812 and 1820. It's an ink drawing, and it just strikes me as so bleak, but with a sort of defiant hope, maybe? What draws your eye when you look at this? Curator: Oh, isn’t it compelling? Immediately, I think about Goya’s mindset during the Peninsular War. The raw emotion he captures… that yearning for peace juxtaposed with the harsh reality of war. Does the positioning of the cross evoke, for you, both hope and a stark reminder of suffering? The almost ethereal quality, it's just amazing. What do you think of how he uses light and shadow to amplify the drama? Editor: Definitely a sense of drama. The faces, even in these simple lines, convey so much grief, and, as you said, hope. Do you think this was meant as a study for something larger, or is it a complete piece on its own? Curator: That's a wonderful question! Knowing Goya, this could very well be a study, yes. He was constantly sketching and experimenting. Yet, even if it's a preparatory work, it possesses a visceral power that stands alone, don't you agree? Perhaps, it’s that immediacy, that unfiltered expression of human emotion that resonates so strongly with us, regardless. Does this quickness of the piece make you consider its artistic value in a different light? Editor: Yes, absolutely. It feels so raw and immediate. I keep seeing new details! Curator: Precisely! I learn something new every time myself. It speaks volumes, doesn't it, about the enduring power of art to capture the human experience. Editor: Absolutely. Thanks for sharing your insights!

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