Mannelijk naakt, liggend op de rug by Louis Fabritius Dubourg

Mannelijk naakt, liggend op de rug 1703 - 1775

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drawing, pencil

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pencil drawn

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drawing

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figuration

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pencil drawing

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pencil

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nude

Dimensions height 315 mm, width 480 mm

Curator: Here we have "Male Nude, Lying on His Back," a pencil drawing created sometime between 1703 and 1775, attributed to Louis Fabritius Dubourg. It’s part of the Rijksmuseum’s collection. Editor: The immediate feeling is… vulnerability. The figure’s pose, the slightly awkward angle of the limbs, it evokes a sense of raw, unglamorized humanity. I am intrigued by how much pencil and shading contribute to make his body real. Curator: It’s fascinating how Dubourg positions the body in space. Nudity in art, historically, has often been about power, idealized beauty and control. But the somewhat unidealized and casual pose here maybe suggests a subversion of these established codes of representation, perhaps hinting at the artist’s particular view, or the tastes of his patrons. Editor: Agreed. It is definitely not the triumphant athletic physique we often see, is it? The focus on materiality is evident – the texture of the paper, the varying pressure of the pencil creating shadow and volume… you can almost feel the artist’s hand at work. I’d love to know where the pencil came from. And if Dubourg prepared the paper, what was the mix? Curator: These are all really great, key insights that help to frame the work. It definitely challenges viewers. What does it mean to present such an intimate view of the male form at a time of very structured societal ideals around manhood, what types of workshops produced artwork like this one, and under what conditions? Editor: Precisely. By exploring the tools and techniques, it moves beyond mere aesthetics to the economics and conditions of art making. Curator: It highlights how art never really exists in isolation. Editor: Indeed. Considering the historical processes offers so many angles beyond just visual appreciation, opening up wider stories. Curator: So, hopefully, contemplating all these aspects may provide more nuanced perspectives for those visiting the exhibit. Editor: I'll definitely leave here with a new appreciation for what I had perceived as just a simple pencil drawing!

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