East Cliff, Hastings, engraved by J. Stephenson 1836

Editor: This is Clarkson Stanfield's "East Cliff, Hastings," engraved by J. Stephenson. The detail in the waves is striking. What can you tell me about it? Curator: The engraving process itself is key. Consider the labor involved in creating such fine lines. And the choice of Hastings as a subject—a site of industry and maritime activity, not just picturesque scenery. What does that suggest about the target audience and the artwork's function as a commodity? Editor: So, more than just a pretty picture? Curator: Exactly! It’s about the commodification of labor and landscape. Think about who would buy this and why. Editor: I never considered that! I’ll definitely look at prints differently now. Curator: Paying attention to the means of production really shifts your perspective.