Inkomst van koning Karel VII in Parijs 1729 - 1733

Dominique Sornique created this print, “The Entry of King Charles VII into Paris,” sometime in the first half of the 18th century. The image’s composition is dominated by the procession moving from left to right, set against the backdrop of a densely packed cityscape. Sornique masterfully uses line to define forms and create texture, particularly noticeable in the intricate details of the architecture and the fabric of the clothing. The parallel lines create a sense of depth and movement. The use of hatching and cross-hatching creates tonal variations, bringing a tactile quality to the scene. Structurally, the image is divided into distinct zones: the foreground occupied by the procession, the middle ground featuring the city, and the background with the suggestion of hills. Sornique’s composition thus invites us to consider how power is visually constructed through representation and how it interacts with the space it occupies. Art is not just a depiction but a carefully structured argument about authority, space, and spectatorship.