Dimensions: support: 464 x 730 mm frame: 655 x 940 x 85 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Richard Wilson's "The Thames near Marble Hill, Twickenham" presents a serene view of the river, a quintessential English landscape. Editor: It’s all soft light and gentle curves, isn’t it? Like a sigh caught on canvas. Curator: Wilson's work often reflects the influence of classical landscape painting, popular among the British elite during the 18th century. Editor: I feel that, but it also speaks to a very human desire for escape. The figures almost blend with the trees. Curator: The location itself, near Marble Hill House, speaks to the burgeoning culture of leisure and country estates among the wealthy. Editor: Yes, it’s an idealized vision, but the hazy light, the water... it makes me want to be there. Curator: Absolutely, Wilson creates a harmony between nature and society that appealed to the tastes of his patrons. Editor: A scene to get lost in, truly a balm for the soul. Curator: A vision of England that was taking shape at the time, reflecting the social and cultural changes occurring. Editor: And a beautiful vision it is, a perfect snapshot of a dream of the river.
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http://www.tate.org.uk/art/artworks/wilson-the-thames-near-marble-hill-twickenham-n04874
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This tranquil view shows a stretch of the Thames seen from the south bank of the river upstream from Richmond. The gable of the Palladian-style villa, Marble Hill House, can be seen peeping through the trees on the right. Wilson’s view is selective: he leaves out the busy river traffic and neighbouring houses. The fine scenery around Twickenham was an inspiration to artists and poets during the eighteenth century: Alexander Pope and later Joshua Reynolds were amongst those who lived in the area. With its echoes of his beloved Italy, it proved a popular subject for Wilson, who painted several versions of this view. Gallery label, August 2004
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