Design for a Cassone (Recto), Design for a Tomb (Verso) by Anonymous

Design for a Cassone (Recto), Design for a Tomb (Verso) 1530 - 1560

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drawing, print, paper, ink, architecture

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drawing

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allegory

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print

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paper

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form

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11_renaissance

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ink

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geometric

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history-painting

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italian-renaissance

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architecture

Dimensions sheet: 16 1/8 x 10 11/16 in. (41 x 27.2 cm)

Curator: Oh, this is rather interesting! A design drawing, on paper in ink, called "Design for a Cassone (Recto), Design for a Tomb (Verso)", likely created between 1530 and 1560. Editor: It has a muted sort of austerity at first glance. Quite measured and clearly articulated; a definite geometry underlying these fanciful touches. Curator: Absolutely. The symmetry speaks to a Renaissance desire for order, yet look at the figures—those griffins flank the central medallion; almost guarding that somber profile. Editor: That portrait feels deliberately isolated. And you know, griffins have been symbols of watchfulness and strength since, well, forever. Their placement here suggests perhaps protection of memory? Curator: It is certainly tempting to view it that way. Cassoni were hope chests, meant to carry a bride's possessions, and symbolically her future. But also consider this is recto/verso with a design for a tomb…it casts such a different light. Editor: A subtle reminder that beginnings are inherently entwined with endings? Perhaps a rumination on lineage and the weight of familial expectation. I notice the swags… they are more associated with tombs. Curator: Interesting. Then this wasn't merely a design for a decorative chest at all but something… more philosophical? The anonymous artist perhaps inviting a consideration of legacy and mortality through something as simple as household furnishing? Editor: Maybe the "Anonymous" label speaks louder here than we realize. This piece moves me; makes me think that symbols and imagery transcend ownership or authorial intent in a funny way, you know? Curator: Yes, they become containers for collective memories and enduring human experiences; both life and death. A humble piece of paper transformed into an expansive meditation on the grand themes of human existence. Editor: Absolutely! What appears so formally conceived on the surface ripples outward. Art can take on the weight of whatever culture is around it and what we add in our readings. What a powerful object.

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