Anonymous. Studio Shehrazade, Saida, Lebanon, 1970s. Hashem el Madani by  Akram Zaatari

Anonymous. Studio Shehrazade, Saida, Lebanon, 1970s. Hashem el Madani 2007

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Dimensions: image: 289 x 292 mm

Copyright: © Akram Zaatari, courtesy Hashem el Madani and Arab Image Foundation, Beirut | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: This photograph, taken in the 1970s at Studio Shehrazade in Saida, Lebanon, is by Hashem el Madani, part of a collection put together by Akram Zaatari. Immediate vibe? These women have secrets. Editor: Secrets and style. The sunglasses, especially the left pair, are screaming "futuristic vintage." It's like a time capsule of cool. Curator: Sunglasses in old photos always feel like masks, especially in a place like Lebanon, veiling identity but also performing it. Editor: Absolutely. It’s a self-conscious pose. These women aren't just capturing a moment; they’re crafting an image. The floral print clashes deliciously with the solid black. Curator: I feel it, a story held back, not just in their eyes but in the tension between display and concealment. And the photographer, Madani, an artist, is a vessel for that story. Editor: And Zaatari, the collector, as well. Layers of meaning, one photograph. The way it captures time makes me long to peek behind the veil. Curator: Agreed. It’s a glimpse into another world, shrouded and sparkling.

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tate's Profile Picture
tate 10 months ago

http://www.tate.org.uk/art/artworks/zaatari-anonymous-studio-shehrazade-saida-lebanon-1970s-hashem-el-madani-p79489

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tate's Profile Picture
tate 10 months ago

“These were two servants of two neighbours. They came to be photographed together.I provided them with fashionable sunglasses.” Gallery label, June 2011