Gezicht op een poort met twee sculpturen by Christiaan Johan Neeb

Gezicht op een poort met twee sculpturen c. 1894 - 1915

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bronze, photography, sculpture, albumen-print

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asian-art

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landscape

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bronze

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photography

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sculpture

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cityscape

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albumen-print

Dimensions: height 171 mm, width 118 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have an albumen print from the period of 1894 to 1915 by Christiaan Johan Neeb, titled "Gezicht op een poort met twee sculpturen", which translates to "View of a gate with two sculptures." Editor: The high contrast in this albumen print certainly grabs the eye! I’m immediately drawn to the textures. The rough brick juxtaposed with the intricate carving on the doors and the stoic guardian figures evokes a strong sense of labor and devotion. Curator: Absolutely, and if you look closely at these sculptures, they present as temple guardians, each brandishing what looks to be clubs. These imposing figures reflect ancient symbolic protective functions within sacred Balinese spaces. Editor: What kind of material do you imagine those sculptures were made from, given the date? Curator: Considering the date, I would venture a guess that the original sculptures might have been carved from volcanic rock, maybe even sandstone. But of course this image provides a sense of distance, both temporal and spatial. Editor: This type of hand crafted construction, it represents such skill... but also raises questions about access to those skills. Who got to carve and build? Whose labor went into erecting this gateway? I'm captivated by this interplay between ritual purpose and socio-economic realities, something so easily overlooked in images. Curator: Good question. The ornamentation too. Look at the almost fractal patterns etched into the doors, drawing the eye ever inward. The portal suggests entry to a realm governed by those principles… access controlled through symbolism as well as the very materiality that you address. It feels simultaneously welcoming and daunting. Editor: A fascinating synthesis! I’m walking away thinking about how both craftsmanship and spiritual beliefs are products of material conditions. It underscores that our aesthetic appreciation has these origins. Curator: For me, I leave appreciating how enduring symbols persist as visual echoes across time, revealing enduring psychological and spiritual needs for protection, meaning and orientation.

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