Portret van een jonge vrouw met witte klederdrachtmuts en bril by J. Siewers & Zoon

Portret van een jonge vrouw met witte klederdrachtmuts en bril 1890 - 1918

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photography

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portrait

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portrait image

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pictorialism

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charcoal drawing

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photography

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portrait drawing

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portrait art

Dimensions: height 83 mm, width 53 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have a striking photographic portrait, "Portret van een jonge vrouw met witte klederdrachtmuts en bril", which roughly translates to "Portrait of a young woman with white traditional headscarf and glasses". The work, created by J. Siewers & Zoon sometime between 1890 and 1918, showcases a distinct use of light and shadow. Editor: What jumps out at me is the quiet intensity in her eyes. There’s a certain formality to it, almost like a still from a forgotten film. But underneath, I sense vulnerability. The soft focus adds to that, blurring the edges of the image like a memory fading. Curator: The soft focus you noticed is key to the pictorialist style, which this artwork exemplifies. The aim wasn't just to record reality but to create an artistic impression. That said, her spectacles, coupled with the elaborate traditional headscarf, strike me as quite meaningful. Editor: The glasses indeed! They weren't so common then, were they? Immediately, they strike me as emblems of intellect or at least a certain scholarly inclination. Then you pair that with the cultural weight of the klederdrachtmuts – a very regional Dutch costume – and it creates this fascinating contrast. She is both a part of her community, her history, but also separate from it, maybe yearning for something beyond? Curator: Precisely! Headscarves like these were often symbolic of a woman’s status, her place in the community. Perhaps she is wearing the headscarf with some amount of rebellion. And what to make of the cross pendant, too? I would imagine this represents both religious identity, but even faith, or fidelity to ideas, beyond just belief. Editor: I feel I’m peering into someone's soul. There’s almost something melancholy about her gaze, though the cross hanging from her necklace offers what seems like solace, maybe a bit of rebellion too. A woman stepping into modernity but still tethered to her traditions and faith… quite the statement for its time. Curator: Ultimately, a powerful reminder that portraits aren't just about capturing appearances but also about hinting at the stories simmering beneath the surface. The artist gave us so much to ponder through shadow and light. Editor: It's truly humbling to witness how a seemingly straightforward image can unfurl into so many rich layers of meaning.

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