Jakob tilt de steen van de put 1645 - 1740

Curator: The weight of the scene is palpable, isn't it? The density of the engraving truly captures the exertion. Editor: Indeed. This print, “Jakob tilt de steen van de put,” attributed to Christoffel van (II) Sichem, likely created between 1645 and 1740, depicts Jacob removing the stone from the well. It’s currently held at the Rijksmuseum. The narrative comes from the Book of Genesis. Curator: Notice how the composition emphasizes the contrast between the robust forms of Jacob and the angular, almost brittle lines defining the well and figures around him. This stylistic choice heightens the physicality of his action, it is all carefully placed, isn't it? Editor: Precisely. And it underscores the political weight of this moment within its religious context. Jacob's act of strength isn't merely physical; it signifies his suitability and divinely sanctioned right to court Rachel, who is also present by the well. Curator: The shading, created by closely placed and cross-hatched lines, really constructs volume. The rendering of the sheep is also intriguing, these clustered, woolly shapes, almost blending into the background, except the one on the ground… I feel for that sheep. Editor: Agreed, that detail gives it all its depth. The historical context of the piece would certainly shape interpretations of these visual choices as well. Depicting these stories visually helps in education but also reminds the wealthy landowner class of their pastoral responsibilities. Curator: Ultimately, the power of this engraving lies in its capacity to portray symbolic narratives within this contained format, demanding a close inspection of its formal construction. Editor: Yes, in the small format there is an attempt to promote values of diligence, courtship, faith but also family lineage, and the acceptance of preordained power dynamics which for many viewers, even in its own time, might've been considered very dated! Curator: It's quite a marvel to think about how we each engage with it using these different methodologies, considering form versus context. Editor: Exactly. A story told through structure and societal echo; one can spend quite some time here.