Kong Dan I by Anonymous

Kong Dan I 1646

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print, intaglio, engraving

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portrait

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baroque

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print

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intaglio

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old engraving style

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19th century

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history-painting

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engraving

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columned text

Dimensions 140 mm (height) x 100 mm (width) (bladmaal)

Curator: This intriguing engraving is a portrait of Kong Dan I, created in 1646, using the intaglio technique. The artist remains anonymous. What springs to mind for you as you look at it? Editor: Immediately, I’m struck by the weight of it, a sort of somber stillness. Despite the regal attire and weapons, there’s an almost melancholic air. He looks like he's carrying the weight of the world, or at least a very hefty kingdom, on his shoulders. Curator: Absolutely, it is a work that fits into what one might describe as the Baroque style, particularly regarding the details of statehood through history. Prints like these served multiple functions, they memorialize leadership but were equally about solidifying an image, a narrative, for a specific kind of consumption and audience. Editor: Right, image control long before Instagram! But thinking about audience, I can't help but consider what story *he* might be telling. He is quite stoic in a severe sort of way; however, this presentation might veil underlying concerns. I imagine he would rather be tending roses than ruling. Curator: And in terms of its public role, these prints would circulate and reiterate not just a likeness, but a certain *type* of ruler. Look at the composition itself: the oval framing, the Latin inscription beneath, even the shield with the heraldic lions – all contributing to a carefully constructed image of power and lineage. Editor: So, less about capturing the essence of a human being, and more about projecting a political ideal? I imagine this type of print was probably affordable too, making it accessible and impactful across society. I'd really want to look at it with a magnifying glass to admire its intricate line work; seeing those fine details would deepen my appreciation. Curator: Indeed. Consider it a meticulously crafted piece of propaganda in a world without mass media. It also served as a potent reminder of history and power for people then. Editor: Well, that adds a fascinating dimension. Looking beyond the serious veneer into the heart of cultural significance… Curator: Exactly. The convergence of craft, state, and intent can shift how we experience something as still and timeless as this. Editor: Precisely! This just reminds me of the capacity of art to preserve legacies while shaping perception – a constant dynamic that still permeates.

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