The Celestial Ladder of St. Bonaventura 1472 - 1553

Editor: This is "The Celestial Ladder of St. Bonaventura" by Lucas Cranach the Elder, created between 1472 and 1553. It's currently at the Met. It seems so detailed, almost like a blueprint for salvation. What symbols jump out to you? Curator: It's fascinating how Cranach visualizes the spiritual journey through recognizable symbols. Notice the ladder itself, an ancient symbol appearing in diverse cultures from Mesopotamian art to the Book of Genesis, almost always representing a connection between the earthly and divine realms. Editor: Yes, and the ladder's rungs have different titles…What does that signify? Curator: Exactly. "Eternal Life," "Forgiveness of Sins"—each represents a stage or aspect of spiritual growth. Think of the act of climbing as the individual’s spiritual ascent. Does it resonate with contemporary ideas of self-improvement or enlightenment? Editor: That's true. It seems there's also the devil on the lower left? The figures seem trapped, or in conversation with the devil and their salvation. The figures ascending on the right side, however, seem joyful and saved, right? Curator: Precisely. Cranach plays with the duality inherent in faith. One side depicts damnation, and on the other, the possibility of redemption through Christ, visualized at the very top. Notice the radiant figures above...the angels, divine protection. The visual contrast emphasizes choice, the ever-present tension between good and evil. The viewer is called upon to reflect. Editor: I'm starting to understand how Cranach uses these familiar symbols, but places them within this narrative about personal faith. It gives you a sense of both historical context, and something almost timeless. Curator: Indeed. Cranach brilliantly utilizes iconography to weave together religious doctrine, personal experience, and a clear cultural message about salvation.