Untitled 1969

This untitled artwork by Soledad Sevilla presents a compelling arrangement of geometric forms, each resonating with symbolic undertones. The circle, a motif of wholeness and eternity, intersects with rigid rectangles, evoking a tension between the infinite and the defined. Consider how similar patterns echo in ancient mandalas or Islamic geometric art. The repetition here isn't merely decorative, it's a conduit for deeper contemplation, not unlike the labyrinths found in medieval cathedrals. The grid-like arrangement could be likened to the Roman "castrum", which represents order and control. Sevilla, however, softens this with rounded shapes and warm, earthy tones, hinting at an organic force breaking through imposed structure. It stirs a primal recognition, a visual echo that resonates within our cultural memory. It's a testament to how symbols can carry weight across time, engaging our subconscious and triggering a dialogue between past and present.