Zeven metalen kandelaars, opgesteld op een tentoonstelling over religieuze objecten uit de middeleeuwen en renaissance in 1864 in Mechelen by Joseph Maes

Zeven metalen kandelaars, opgesteld op een tentoonstelling over religieuze objecten uit de middeleeuwen en renaissance in 1864 in Mechelen before 1866

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aged paper

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toned paper

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homemade paper

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sketch book

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paper texture

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personal sketchbook

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folded paper

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sketchbook drawing

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sketchbook art

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design on paper

Dimensions height 183 mm, width 227 mm

Editor: Here we have a sketch entitled "Zeven metalen kandelaars, opgesteld op een tentoonstelling over religieuze objecten uit de middeleeuwen en renaissance in 1864 in Mechelen," made before 1866 by Joseph Maes. It’s a study of seven metal candlesticks rendered on paper. What immediately strikes me is the repetition of form and how each candlestick, while similar, possesses unique details. What do you see in this drawing? Curator: Well, first, consider the candlestick itself. As a symbolic object, light triumphs over darkness. Even beyond Christian contexts, across cultures and religions, it is a shared symbolic function. But look closer - what do you notice about their arrangement? Editor: They are lined up, almost like a family portrait. Some are taller and more ornate than others, placed side by side at an exhibit, but drawn on aged paper. Curator: Exactly! The cultural memory embedded here is complex. Candlesticks mark sacred space and time. Think about what they signify when grouped in this way - each carrying their own history, their own stories of faith. Do you notice the details? How the varying heights create a sort of visual rhythm? Editor: I see that now. And, while a simple sketch, the variations imply differences in design, origin, perhaps even the values they represent. Curator: Precisely. Maes isn't simply drawing candlesticks; he’s capturing a moment in time, freezing the visual representation of religious practice for his sketch book on that specific day at an exhibit, hinting at something eternal. What do you think about that? Editor: Fascinating, I hadn't considered the layers of meaning embedded in such seemingly mundane objects. Now, I see an arrangement pregnant with implied spiritual and historical contexts. Curator: And that's how objects, seemingly simple, become powerful symbols, reminding us of our collective cultural journey and our need for continuity through symbolic systems.

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