Untitled 1976

Editor: Here we have Michael Sandle’s "Untitled" piece, currently housed in the Tate. It's an interesting blend of shapes and textures but I can't quite place what it evokes. What strikes you about this work? Curator: This untitled work resonates with Sandle's broader critique of power and militarism. The fragmented forms, aggressive brushstrokes, and stark contrasts suggest a landscape scarred by conflict, perhaps reflecting on the artist's own experiences or anxieties about the world. How does the lack of explicit imagery affect your interpretation? Editor: I see what you mean, it does feel like a harsh environment. The absence of figures makes it feel more universal, like a commentary on systems, not individuals. Curator: Precisely. Sandle often avoided direct representation, opting instead for symbolic forms to address societal issues. I’m glad it helped you contextualize Sandle’s style. Editor: Me too, I appreciate you sharing that perspective. It definitely adds another layer to understanding the artwork.