Vignet til Frederik V's Søkrigsartikelsbrev 1754 - 1758
print, engraving
baroque
engraving
Dimensions: 66 mm (height) x 127 mm (width) (plademaal)
Curator: Here we have "Vignet til Frederik V's Søkrigsartikelsbrev," a print by Odvardt Helmoldt de Lode, dating from between 1754 and 1758. It’s currently part of the collection at the Statens Museum for Kunst. It appears to be an engraving. Editor: It’s immediately striking. The scene above the text, with its urn flanked by figures, exudes a strong neoclassical aura even with its baroque flourishes. Almost theatrical in its composure. Curator: It’s more than just theatrical. Look closely; it’s a vignette, designed to accompany Frederik V's naval articles. This was a time of burgeoning Danish naval power, and the print visually reinforces royal authority. Editor: Of course! The iconography screams of power and authority. The female figures, draped in classical garb, act as allegorical representations perhaps of Justice or Wisdom? And the urn…does that hold something symbolic, like maritime law perhaps? Curator: Possibly, but my feeling is they're representative of specific virtues aligned to leadership, with perhaps Prudence to the left holding a mirror and perhaps Fortitude on the right holding some sort of implement of authority. The urn itself probably holds the articles or at least is adorned with signifiers that this is such. What the piece as a whole says is that those leading must bear these virtues and enforce these rules, and is very in step with the way monarchs promoted the roles of navy and self. Editor: An interesting parallel can be drawn between the emphasis on naval strength here and the consolidation of state power under Frederik V. The image reinforces his central role as commander. Curator: Absolutely, it presents the image of order imposed on potential chaos. And it shows the visual power that monarchs were aware of employing in order to exert that image of order. Editor: Well, considering this print's careful arrangement and laden symbolism, it reveals a world concerned with outward projection. Curator: Precisely. By seeing this artwork in light of these naval expansions and shifts in social order, one can begin to perceive a complex relationship between art and governance.
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