Untitled [squatting female nude turning away] 1955 - 1967

This is a drawing of a squatting female nude turning away made by Richard Diebenkorn, probably with ink, on paper. I love the simplicity and directness of the lines. Each stroke feels deliberate, yet the overall effect is spontaneous, like a dance. Look at how the ink bleeds slightly into the paper, creating soft edges that contrast with the sharp, defined lines. It's like Diebenkorn is letting the ink do its thing, embracing the inherent qualities of the medium. Notice the negative space around the figure, how it defines her form as much as the ink itself. The single line that defines her back is particularly striking; it’s so simple, yet it captures the curve of her spine, the tension in her pose. Diebenkorn reminds me of Matisse in his ability to capture form with minimal means. This piece feels like a study, a moment captured in time. But it’s also timeless, speaking to the enduring beauty and mystery of the human form. It’s about seeing, feeling, and translating that experience onto paper.