The big one 2019

Editor: This is "The Big One," a 2019 watercolor painting by Alfred Freddy Krupa. I find the contrast between the stark black lines and the delicate watercolor washes very compelling. It feels both powerful and fragile. What do you see in this piece? Curator: From a historical perspective, this work evokes the Abstract Expressionist movement, particularly in its emphasis on gestural abstraction. Consider how the "heroic" scale and subjective expression often reflected the post-war anxieties and individualism of American society. Does this watercolor, with its title, reflect a similar spirit of monumental personal expression, or perhaps a more critical commentary on that tradition, given its creation in 2019? Editor: I hadn't thought about it that way. So, the "big one"—the title—could be a reference to the ambition of the Abstract Expressionists, but also a commentary on it being almost too much? Curator: Precisely! How does Krupa’s choice of watercolor, a medium often associated with spontaneity and fluidity, contribute to or challenge the idea of the monumental? Washes like this in contrast with defined shapes appear almost accidental. How does it function within our expectations of “fine art?” Is this a challenge? Editor: It does seem like a contrast. Usually, we see watercolors in a completely different light—delicate landscapes and still lifes. Here it feels bolder. I noticed tiny red triangle shapes as well scattered through the painting—What purpose could these have? Curator: Their scattered arrangement avoids clear representation but might also be understood within social commentary, perhaps referencing political instability or specific events. Their impact goes beyond mere decoration. The crumpled paper support also influences this historical understanding. What statement do you think that makes, and does it change how this piece will be perceived by future viewers? Editor: It definitely makes it feel less precious, almost disposable, challenging the traditional art world values of permanence and preservation. Thank you, I see it completely differently now. Curator: And I appreciate your perspective. Thinking about how artistic choices can shift historical understandings gives me something new to think about, as well.