Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 12) 1773
Dimensions Sheet: 7 7/8 × 10 5/16 in. (20 × 26.2 cm) Plate: 5 1/8 × 11 13/16 in. (13 × 30 cm) Overall: 8 1/4 × 10 5/8 in. (21 × 27 cm)
Curator: Here we have a page entitled “Targhe ed altri ornati di varie e capricciose invenzioni,” or, "Cartouches and other ornaments of various and capricious invention.” This print by Jacob Floris dates to 1773. Editor: Capricious is right. The sheer density of the ornamentation—it’s dizzying. I'm immediately struck by the symmetrical arrangement, despite the chaotic nature of its elements. Curator: Indeed. The piece is deeply rooted in the visual language of the Baroque era. These engravings, these ornamental prints served as inspiration for artisans, influencing furniture design, metalwork, and even architecture. Editor: Look at the line work—the density and variation. The central figure in the oval cartouche reminds me of something between a phoenix and hippocampus, its texture is smooth, achieved with closely arranged parallel lines. Notice the strategic use of hatching and cross-hatching. The contrasting dark and light creates a very engaging surface. Curator: Consider the mythological creatures employed here. A sea bull, crowned figures and a beast combining avian and aquatic attributes. They’re drawing from a very deep well of shared symbolism; this kind of visual vocabulary had potent cultural meaning for viewers then. They evoke, I think, ideas about transformation and dominion over nature. Editor: The whole piece feels incredibly stage-like, almost theatrical in its presentation, doesn't it? It’s as if the artist were keenly aware of how these designs would be perceived, how they would interact with light and shadow in real-world applications. Curator: I agree. The enduring fascination with these decorative prints speaks to their role in shaping how people experienced and interacted with their environments, and maybe still do. Editor: It’s fascinating to see the careful geometry and the implied volume alongside the playful whimsy. A dance between constraint and freedom.
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