Saint Thomas the Apostle c. 19th century

Curator: Paolo Toschi, born in 1788, offers us this engraving of Saint Thomas the Apostle. It resides here at the Harvard Art Museums. Editor: Wow, Thomas looks like he’s judging my entire life from a giant seashell throne, doesn’t he? Curator: The imagery certainly positions him as a figure of authority, doesn't it? The shell evokes classical motifs of birth and divine origin, framing him as almost god-like. Editor: And those cherubs at his feet! They seem to be either admiring or slightly terrified by him. It’s a little unsettling, like a Renaissance-era rock band album cover. Curator: Well, remember, Saint Thomas is often associated with doubt. Toschi may be exploring themes of faith and skepticism during the 19th century. Editor: I still think there's a hint of humor here, maybe unintended. Anyway, it’s certainly got presence. Curator: Indeed. A thought-provoking piece!