Maid 

Editor: We're looking at "Maid" by Isaac Israels. It's rendered in what seems like pencil and watercolor. There's a gentle and somber quality to the figure. What's your take on this, seeing as how the elements come together? Curator: The application of pigment interests me. Notice how Israels has orchestrated a subtle interplay between line and wash. Observe the delicate web of pencil strokes which contour the figure's form and describe the textural variation. Consider also the watercolor washes; the layered tonality which creates spatial recession while still drawing attention to the flatness of the picture plane. Can you see how these techniques play with structure and form? Editor: Yes, now that you mention it, the flatness becomes a significant aspect of its visual presence. What are the more striking compositional features? Curator: Certainly, we must consider the profile view that has been adopted, it creates a certain reserve; consider the color relationships at play, and contemplate what is accomplished through the restricted palette of soft whites and grays. There is a quiet and considered composition on view. Are you gaining an awareness of how these factors interrelate, thus achieving the desired aesthetic effect? Editor: I think so! It's much more about the elements and less about whatever story the subject brings. Thanks. Curator: Precisely. Focusing on its material properties allows one to unlock a different understanding. I trust we both expanded our perceptions today.