Georg Vitill, born 1491, of Augsburg 1527

Curator: Editor: This striking medal, created by Friedrich Hagenauer in 1527, depicts Georg Vitill of Augsburg. Its starkness in monochrome really focuses attention on the profile. What strikes you most about this piece? Curator: I see a fascinating encapsulation of power dynamics at play during the Renaissance. Notice how Georg Vitill, a member of the rising merchant class in Augsburg, consciously emulates the visual language of nobility in portraiture. Editor: He does look quite self-assured! Almost regal. Curator: Exactly. This medal isn’t simply a likeness; it’s a carefully constructed assertion of status. It speaks volumes about the shifting social landscape where wealth began to rival lineage in determining power. The conscious visual messaging makes me think of contemporary influencer culture, framing ourselves online. Editor: So, the choice of metal itself and the artistry...it’s all contributing to a constructed identity? Curator: Precisely. Consider also, for whom was this medal made? Who was meant to see it and what message was Hagenauer tasked to deliver? It invites a whole realm of investigation around access, privilege, and social performance. Editor: That’s given me a whole new appreciation for the work. I hadn't considered the social messaging aspect beyond it just being a portrait. Thanks! Curator: It highlights the vital role art plays in not only reflecting society but also in actively shaping and challenging its norms, even centuries ago.