painting, oil-paint, impasto
portrait
figurative
painting
oil-paint
figuration
oil painting
impasto
portrait art
realism
Tadeusz Makowski made this study of a little girl, probably in oil, and perhaps it came about through a gradual process of layering and adjusting. There’s a certain earthiness to the colors, a warmth in the browns and greens that makes me think of folk art. But the cracking on the surface tells a different story—maybe this was a struggle, a process of adding and subtracting, of refining an image until it felt right. Look at the way the artist rendered the eyes, slightly out of focus. What was Makowski thinking as he painted this? Did he want to capture her innocence, her vulnerability? Maybe he was exploring the nature of childhood itself, that fleeting moment of wonder before the world closes in. It is as if painters are always in conversation, borrowing and riffing off each other's ideas, and it is in this spirit of shared exploration that painting continues to evolve, offering us new ways of seeing and feeling.
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