Vessel with Double-Horned Spouts Possibly 1000 - 1470

Editor: Here we have a ceramic piece titled "Vessel with Double-Horned Spouts" possibly crafted between 1000 and 1470 by the Lambayeque culture. I find the vessel's surface texture really striking; it almost looks metallic. What strikes you most about this piece? Curator: This vessel powerfully reflects the Lambayeque people's complex relationship with the natural and spiritual worlds. Consider how the double spouts might function— not just practically, but also symbolically, perhaps relating to duality, balance, or even communication between different realms. Who do you think had access to such an elaborate object? Editor: That's fascinating! The duality is something I had missed. Given its ornate features, I’d guess this was likely reserved for elite members of society, perhaps for ritualistic practices? Curator: Precisely. Vessels like these were integral to Lambayeque society’s hierarchical structures and religious practices. The animal motifs, if we interpret them intersectionally, speak volumes about their reverence for, and dependence on, the animal kingdom, but also power structures depicted using animals as symbolism. Do you think it might reinforce certain social stratifications? Editor: Definitely. Depicting specific animals, some held in higher regard, could solidify power dynamics and social roles. Are there any similar objects we can find in the collection? Curator: This form of pottery is actually unique within this collection; contextually understanding similar ceramics could offer deeper insight into the society. Studying how materials and resources were distributed reveals much about inequality. What have you found to be most challenging to consider with pre-colonial art from the Americas? Editor: For me, it's navigating the cultural distance and my own biases, while also appreciating the ingenuity of the artistry itself, of an ancient society. This vessel invites me to reconsider everything, and appreciate different historical worldviews! Curator: Exactly. Art, especially from the past, acts as a vital lens through which we can critically examine historical and contemporary power dynamics.