Design for Altar 1850 - 1900

Jules-Edmond-Charles Lachaise designed this altar with watercolor and graphite sometime in the 20th century. Dominating the visual field is the image of the Virgin Mary, her hands clasped in prayer. This posture, ubiquitous in Christian iconography, carries echoes of ancient gestures of supplication and reverence. Consider the "orant" pose found in early Christian catacombs – arms raised in prayer. Over centuries, this evolved into the clasped hands we see here, a subtle yet powerful shift, reflecting changing cultural attitudes towards piety and intercession. This gesture transcends mere religious practice; it is a primal expression of human vulnerability and hope. The image of the Virgin Mary resonates deeply, tapping into our collective memory. Whether in a Byzantine mosaic or a Renaissance painting, the archetype persists. The emotional power of this image lies in its ability to evoke feelings of comfort, protection, and solace, engaging viewers on a profound, subconscious level. This iconography isn't static. The symbol resurfaces, evolves, and takes on new meanings in different historical contexts.